Screenplay

Henry and the Fictionals

ShortFantasy17 pages

After putting aside his ambitions and taking a normal job for financial stability, a stressed out screenwriter's characters stage an intervention for him on the night a make-or-break assignment is due.

Henry and the Fictionals follows Henry, an aspiring screenwriter who has moved to the West Coast to get into screenwriting. Struggling to find a job, his parents financially support him, much to his embarrassment. Finally, he takes a soul-crushing office job out of desperation, putting his creative ambitions on hold. After a period of struggling to keep afloat at the office and lying to his parents and a neighbor down the hall that he has a crush on, things come to a head when Henry races to meet a project deadline, with his boss threatening to fire him if its late, only for his fictional creatures to stage an intervention to get his attention. Over the course of this crazy evening, Henry eventually learns to be true to himself, take responsibility, and leap back into the uncomfortable unknown.

ReadAlong Playback

Preparing audio… 288 lines
Line 1 of 288
Generated: Oct 3, 04:58 PM
--:--17:36
Preparing stitched audio…
Scene 1Line 1

INT. HENRY’S APARTMENT-BEDROOM-MORNING

FADE IN:

INT. HENRY’S APARTMENT-BEDROOM-MORNING

HENRY, 20s, frantically types on his laptop. A dreamer with the boulder of reality on his back. Unshaven with baggy eyes and wrinkled clothes. A stressed-out mess.

The walls of his cluttered room are plastered with various adventure and science fiction movie posters. Screenwriting books fill a nearby shelf.

As he types...

DR. BOBCAT (O.S.)

Adios, ya bag of bones!

DR. WALTER BOBCAT, 30s, a rugged, foolhardy treasure hunter, materializes behind Henry, carrying a shiny medallion.

He drops the medallion onto Henry’s desk.

DR. BOBCAT

Here, take this!

Henry pauses, tempted, but ignores it. Dr. Bobcat looks at the screen.

DR. BOBCAT

Wouldn’t hurt to jazz things up a bit, ya know? Give it some style.

A moaning sounds. Dr. Bobcat grabs the medallion, grimacing. WHAM! He’s suddenly tackled by a lurching MUMMY.

Dr. Bobcat throws several punches. No effect. The Mummy pins him to Henry’s bed, reaching for the medallion.

Dr. Bobcat throws it away. The Mummy chokes him. He tries to break free, but to no avail. Is this the end?

RING! “MOM” appears on Henry’s caller ID. He answers.

HENRY

Hi, Mom.

He sees the time on his alarm clock. Startled, he rushes to his closet to change. Bobcat and The Mummy have vanished.

HENRY (O.S.)

Sorry. Can’t talk long.

CLOSE ON COMPUTER SCREEN

Finally showing what Henry was working on: a business presentation with data tables and pie charts.

Henry returns to the laptop, buttoning a shirt, phone sandwiched between his ear and shoulder.

CLOSE ON COMPUTER SCREEN

He saves the presentation and closes it, opening his email inbox. Multiple subject lines are visible:

“Regarding Your Submission – Thank You…”

“Re: Screenwriting Fellowship Application – Unfortunately…”

“Job Opening – Position Filled.”

He creates a new e-mail, attaches the presentation file, and sends it off.

HENRY

(badly lying)

Yeah, work’s good. The boss has been talking about me all week.

He closes the laptop.

Int. Apartment complex-hallway-morning

Now dressed in an ill-fitting suit and tie, Henry juggles his work bag and cellphone as he leaves the apartment.

HENRY

Yes, I turned in the rent on time. I gotta go. Love you too.

He hangs up. DING! A text message.

CLOSE ON PHONE SCREEN: “DON’T FORGET THE VISUAL AIDS!”

Henry checks his work bag. Dang it!

Groaning, he turns back to his door, fishing in his pants pockets for his keys. He can’t find them.

ARIADNE JONES, 20s, a cynical punk thief and hacker, drops into view. She uses a futuristic-looking scanner on the door.

ARIADNE

Standard hardwood. No surveillance. A simple credit card should work.

Henry rolls his eyes, turning away. Ariadne scowls.

A voice emerges down the hall. Henry’s neighbor, RACHEL, 20s. An ambitious but weary go-getter, juggling too much at once. Professionally dressed with personal flair, artfully painted nails and earrings, she talks on her phone.

RACHEL

Have to approach it from another angle then. Call the team in for a brainstorm sesh.

She sees Henry, giving a friendly wave. He awkwardly waves back. Like Dr. Bobcat, Ariadne has vanished.

As Rachel walks past, a folder falls out of her bag. Henry picks it up, catching up with her.

HENRY

Hey...

RACHEL

Oh! Thanks.

The two linger shyly but are interrupted.

RACHEL

(groans into phone)

That excuse again? You’d think she’d learn a new trick by now. Like how to disappear!

Mouthing “sorry” to him, she walks away.

JANGLE. Henry finally finds his keys in his jacket. Unlocking the door, he rushes inside.

Int. Office bullpen-day

Henry smacks a glacially printing copy machine.

HENRY

Come on! Come on!

It sputters, finally spitting out the paper. Henry rushes to his desk, grabs the next page, and returns to the copier. It whines and groans, dying. He smacks it again.

HENRY

No, no, no!

CO-WORKER (O.S.)

Hurry up, Henry!

HENRY

Coming!

Panicked, Henry runs back to the desk for the pile of papers.

LOUIS (O.S.)

Engarde!

LOUIS DUMONT AKA THE SCARLET FOX, 30s, a daring, courageous masked swashbuckler, appears, lunging at the copier.

CRASH! Henry winces as Louis’s sword meets its mark.

The hunk of junk suddenly whines to life, releasing the page. Henry grabs it, rushing over to the perturbed Co-Worker.

CO-WORKER

You got everything?

HENRY

Yeah.

CO-WORKER

What about the changes?

HENRY

Changes?

CO-WORKER

Don’t you check your e-mail?

Henry looks at his phone.

HENRY

That was ten minutes ago!

A deep voice clears its throat. The two go inside the boardroom.

THROUGH THE BOARD ROOM WINDOW,

Henry clumsily hands the papers to his COWORKER, THE OTHER TWO TEAM MEMBERS, and their stern boss, FERGUSON.

Setting things up, Henry clumsily begins. Louis mocks Ferguson from behind. Henry tries to ignore him, stuttering.

Ferguson holds up a hand. Walking over, he starts yelling. Despite being muffled, the entire office hears it.

Int. office bullpen-a few minutes later

Henry sits at his desk, deflated.

THUMP! He jumps as Ferguson slams a folder down.

FERGUSON

We need this done. Tonight. 7 p.m. One second more and you’re gone! Got it?

Henry nods. Ferguson drops several more files.

FERGUSON

These first!

Ferguson glares at Henry before storming off. Henry sees his CO-WORKERS also glaring. He gulps, getting to work.

INT. oFFICE BULLPEN-evening

Henry, now absolutely haggard, works on his laptop. He’s the only person left on the office floor.

DING! A message pops up on the screen: “Scheduled Maintenance From 6 to 8 P.M.” FOOM! The office lights shut off.

HENRY

You’ve gotta be kidding me!

Int. HENRY’S APARTMENT - LIVING ROOM/KITCHEN - EVeNING

Henry enters, flipping on the lights. He turns to see Bobcat, Ariadne, and Louis sitting in a circle around an empty chair.

DR. BOBCAT

We need to talk, ol’ buddy.

HENRY

Not now.

He moves toward his room. Louis blocks him with his sword.

HENRY

Really?

He walks through the sword like it’s air.

INT. hENRY'S APARTMENT - bedROOM - SAME

Henry flips on the lights. The three now sit on his bed.

He pulls out his laptop, putting it on his desk. His phone rings. His mom again.

HENRY

Hey, Mom. Can I call you back?

He hangs up. The Fictionals now crowd around his chair, invading his personal space. He tries to focus, but their looming and breathing make his jaw clench. He stands up.

HENRY

I said I’d get back to you guys, didn’t I?

ARIADNE

Right. After things “settle down”. How’s that going?

HENRY

Oh, peachy!

LOUIS

We know you’re under much pressure, but we can’t do zhis alone. All of France is depending on me.

ARIADNE

I’m sure as hell not gonna let the Corpos rule The City!

DR. BOBCAT

I’m just hopin’ to get to the treasure eventually.

The other two groan and shoot him dirty looks.

DR. BOBCAT

What?

HENRY

You’re not real!

Henry’s phone rings again. The Co-Worker this time.

HENRY

Hey--Yeah, I’m working on it! Yes, I’ll have it done in time!

He hangs up, carrying his laptop out of the room.

Int. HENRY'S APARTMENT - LIVING ROOM/kitchen - same

Henry puts his laptop on the counter, trying to focus again. The three are back in their seats.

DR. BOBCAT

At least make somethin’ happen! Playing poker with that stupid Mummy is gettin’ dull. Bonehead owes me 200 bucks.

As if on cue, The Mummy appears behind Bobcat, grabbing him.

DR. BOBCAT

Not again!

Ariadne pulls out a laser and fires. The Mummy disintegrates, leaving only his arms behind.

ARIADNE

See? I told you he doesn’t care!

HENRY

Hey! Don’t put words in my mouth!

ARIADNE

I’ve had to watch my best friend die over and over because of you!

Henry goes quiet.

ARIADNE

Like it or not, until the stories are finished, you’re stuck with us.

Henry stops, sincerely contemplating.

HENRY

Fine. But only one at a time. After this is done.

Louis jumps to his feet.

LOUIS

Zen I should be first. It is of the utmost importance!

DR. BOBCAT

Right. Don’t want to miss dancing in puffy wigs, do we?

LOUIS

Says the imbecile who would destroy a tomb for a single trinket!

Dr. Bobcat walks over to Henry.

DR. BOBCAT

Escape a few traps, beat up some bad guys. Get the treasure. Boom.

ARIADNE

You’re as bad as the Corpos! And what kind of name is Dr. Bobcat?

DR. BOBCAT

At least I’m not mistrustful of everyone I run into. The entire world ain’t against me!

This bickering escalates as all three start TALKING AT ONCE.

HENRY

Guys. Guys!

He’s drowned out by the growing arguments. Dr. Bobcat and Louis raise their fists in fighting stances.

Henry’s phone rings again. The RINGING and the YELLING blend, growing LOUDER and LOUDER. Finally...

HENRY

SHUT UP! SHUT UP!

The three go silent, shocked.

HENRY

Will you just leave me alone?!

He storms out of the apartment, slamming the door.

INT. apartment complex - hallway-Same

Henry stops, almost running into Rachel.

HENRY

Rachel! Hi...

RACHEL

Henry! Hey...

HENRY

What are you doing here?

RACHEL

I heard yelling. Everything okay?

HENRY

Yeah, sorry. I’ll try to keep it down.

RACHEL

What’s going on?

HENRY

Just...arguing with a co-worker.

RACHEL

Oof! I feel that.

HENRY

You do?

RACHEL

Yep. Big deadline coming up, and ol’ Alice is constantly behind and flakier than breakfast cereal.

HENRY

(nervous)

Oh.

RACHEL

I hate to be the bad guy, but she’s holding the whole team back!

Rachel rubs her temples with a sigh. She winces.

RACHEL

Sorry. TMI. Been a long day.

HENRY

No, it’s all right. That’s kinda what we were arguing about too.

RACHEL

Oh?

Henry freezes. Whoops.

HENRY

(badly lying)

Co-worker was throwing a fit about the schedule...I have a meeting with a studio at the same time.

RACHEL

Wait, what?

HENRY

Yep. Writing a sci-fi comedy. Early stages, but so far so good.

RACHEL

That’s awesome! What’s it about?

HENRY

Signed an N.D.A. Sorry.

RACHEL

Which studio?

HENRY

(dodging)

They’re particular about sci-fi projects.

RACHEL

Seriously?

Henry shrugs, moving to the door.

HENRY

I better get back to it.

The door doesn’t open.

HENRY

Oh, come on!

RACHEL

What’s wrong?

HENRY

My door’s stuck.

Rachel tries it. No luck.

RACHEL

Might have to force it.

They brace and ram the door. No luck.

HENRY

You piece of--!

RACHEL

Try calling a locksmith.

HENRY

No time!

Henry checks his watch. The time reads 6:58 P.M.

HENRY

Oh crap!

He desperately struggles with the door again.

RACHEL

What’s the rush?

HENRY

The execs doesn’t like delays. Might pull the plug.

RACHEL

You said things were going well.

HENRY

You know execs. Always strings attached.

RACHEL

That sounds like a crap deal. Why not go elsewhere?

HENRY

It’s the best one I could get.

RACHEL

There isn’t a deal, is there?

HENRY

Just drop it, all right?!

Rachel steps back, hurt, and walks away.

RACHEL

Fine!

Henry winces. He starts to follow. His watch beeps. 7 p.m. The deadline.

HENRY

No, no, no!

He slams against the door over and over to no avail.

HENRY

No...please...no....

He collapses to the floor in defeat. Dr. Bobcat and Louis appear.

DR. BOBCAT

Real smooth, buddy boy.

LOUIS

Frankly, I’ve zeen cowards face their fate with more dignity.

HENRY

Spare me the pity party, all right?

DR. BOBCAT

You’re the one throwin’ it, pal.

HENRY

Just go away! Please!

Ariadne appears.

ARIADNE

Can’t. Remember?

Henry groans, putting his head in his arms.

ARIADNE

Why did you create us?

HENRY

(muffled)

What?

ARIADNE

Why create us if you hate us?

HENRY

I don’t--I didn’t...I was just trying to keep my job!

LOUIS

Why do a job that makes you miserable zhen?

HENRY

You try being unemployed for a year and a half!

ARIADNE

Why not have your parents help you again?

HENRY

No! They should be enjoying themselves. Not helping my dumb butt!

LOUIS

Well, maybe now you can do something zhat makes you happy.

HENRY

It’s not about being happy. It’s about doing what’s necessary.

ARIADNE

True. Why else would we be here?

HENRY

It’s the adult thing to do, okay?

ARIADNE

Adults don’t talk to fictional characters only they can see.

HENRY

Oh, yay. I’m nuts!

DR. BOBCAT

Nah. Just highly imaginative.

HENRY

A fat load of good that’s done me!

He leans back against the wall.

HENRY

I never should have come out here.

The three sit down next to him.

DR. BOBCAT

Why did you?

HENRY

Because I’m a stupid kid that doesn’t know how the world works!

LOUIS

Not necessarily. What made you want to write in zhe first place?

HENRY

...It was really fun. Building worlds. Creating characters. Going on adventures.

ARIADNE

(smiles)

Letting your imagination go nuts?

HENRY

Yeah.

DR. BOBCAT

Then there you go.

HENRY

Oh, come on! I can’t just jump into the deep end again!

DR. BOBCAT

Why not?

LOUIS

Yes, you cannot abandon your own story, mon ami!

HENRY

What if it’s all for nothing? What if I never get another job?

ARIADNE

What if it turns into something?

Seeing his skepticism, she stands up.

ARIADNE

Look. Sooner or later, you’re gonna have to decide what you want. Even if you fail, whose terms do you want to go out on? Theirs or yours?

Henry digests this.

ARIADNE

Either way. It’s not good to keep all this stuff locked up.

HENRY

Wait a minute...

He stands up and pulls a credit card out of his wallet. Ariadne smirks, knowingly.

HENRY

It’s a bit of a long shot but-

He slips the card into the door latch and jiggles around. CLICK! The door opens. Dr. Bobcat and Louis celebrate.

ARIADNE

Told ya.

Henry smiles gratefully before remembering...

HENRY

The presentation.

InT. henry’s apartment - bedroom - evening

CLOSE ON COMPUTER SCREEN

Henry types an apology email. Attaching the presentation file, he sends it off.

Dr. Bobcat gives a thumbs up from the bed.

DR. BOBCAT

Aces!

Ariadne watches from behind. Louis leans against a wall.

HENRY

Well, that’s that.

ARIADNE

What are you going to do now?

HENRY

I don’t know.

Henry leans back in his chair to think, seeing Ariadne looking at the sci-fi posters.

HENRY

I wanted to test myself. Do something a little darker. Make a badass female lead.

Ariadne smirks. Henry looks back at his laptop and turns on his printer, getting an idea.

The printer sputters. Louis smacks it, bringing it back to life. Louis winks at Henry.

Int. APARTMENT COMPLEX-HALLWAY-evening

Henry approaches Rachel’s apartment with one of his scripts, a note attached. He puts them down and knocks, walking away.

He reaches his door, this time finding his keys right away.

Rachel opens her door, looking around. Seeing no one, she turns to go back inside when she spots the note and script. Picking them up, she reads.

HENRY (V.O.)

Rachel, you’re right. There is no deal. I wanted to impress you. Shallow and stupid, I know. I didn’t mean to be another Alice. I’m sorry. Henry.

Rachel frowns. She starts to crumple up the script, but curiosity gets the better of her. She opens it.

A figure joins her: her own Fictional, LYLA STARCOURT, 30s, a steadfast Space Ranger.

LYLA

A rather strange being, isn’t he?

RACHEL

No kidding.

Scanning the pages, she looks at Henry’s door, thinking.

RACHEL

Still...

Int. HENRY'S APARTMENT - LIVING ROOM/KITCHEN - EVeNING

Henry’s Fictionals relax. Dr. Bobcat and Ariadne arm wrestle and trade scars. Bobcat points to his arm and leg.

DR. BOBCAT

Lion in Africa. Bandit in Buenos Aires.

Ariadne points to her neck and cheek.

ARIADNE

Got that beat. Corpo with a cup of acid. Three shock batons at once.

Louis is trying to teach The Mummy how to sword fight.

LOUIS

Now, show me what you’ve got.

The Mummy moans, easily whacking Louis’s sword away.

LOUIS

I see. Care for a rematch?

The Mummy pauses before lunging at the swashbuckler.

The four look up as Henry returns, walking to his room. Trading looks, they follow.

Int. HENRY'S APARTMENT - bedROOM-same

They come up behind and watch as he types. The more he writes, the more excited they become. He’s back!

Ariadne playfully punches Henry in the shoulder.

ARIADNE

Good on ya!

Henry nods in thanks with a smile.

He catches sight of his phone. Building up courage, he picks it up and dials. It rings. Finally, there’s an answer.

HENRY

Hi Mom. Can we talk? It’s about work.

He winces.

HENRY

I know, I know. I should have said something earlier. But don’t worry...I have a plan.

FADE OUT