Screenplay

Call 154

ShortHorror17 pagesDraft January 8, 2025

When nightly calls from a terrified version of herself warn of a deadly eldritch monster, weary Toni must decode the terrifying patterns and fight back at 11:11 or be consumed by the horror—and her own unraveling mind—in this tense supernatural thriller.

In the chilling supernatural thriller "Call 154," Toni, a weary woman in her early 30s, is haunted by mysterious nightly phone calls at exactly 11:11 PM from a terrified voice being hunted by a terrifying Lovecraftian creature with hypnotic, deadly eyes. As she meticulously maps out patterns and strategies from her small, note-covered home, Toni battles despair and isolation, grappling with the terrifying realization that running only leads to death. With time—and her own sanity—slipping away, Toni must confront the monstrous horror not by fleeing, but by fighting back, transforming her home into a battleground where survival hinges on courage, wit, and the strength to face the unimaginable. "Call 154" is a tense, atmospheric horror that explores fear, resilience, and the fight against an unseeable nightmare.

Credits: written by

Written by: Matt Moeller

[email protected]

Call 154

written by

Matt Moeller

Draft Date: January 8, 2025

Revision: Eighth Draft

INT. LIVING ROOM - NIGHT - 11:11 PM - CALL 153

CHIRON: “CALL 153”

Toni (Early 30’s, dark eyes, weary) Sits at her living room table in her small house, vice grip on her phone, staring at it.

Piles of papers surround her, maps, scripts, scribbles. The walls and whole room is taped up with notes, arrows, circled items. A conspiracy theorists mind made real.

The time on her PHONE blips to 11:11. It Rings. She picks up immediately.

A Woman’s SCREAM on the other end of the line. Toni is totally UNPHASED.

PHONE

There’s a--

TONI

-- Stay Calm. I need you to listen to me carefully.

PHONE

It’s coming. Oh god It’s --

TONI

--Eyes.

PHONE

How do you?--

TONI

--Take a deep breath. Okay?

Toni glances at the clock on the desk, it’s got marker lines and arrows all over the crown. She’s watching the second hand move, timing it to line up with a sharpie line.

TONI

Dodge to your right... NOW!

On the phone we hear a SLITHERING, THWACK, and SCREAM.

PHONE

Oh god!

INT. KITCHEN - NIGHT - 11:03 PM - CALL 1

CHIRON: “CALL 1”

Toni, in work wear, walks through the door with a big stack of mail, sorting through it as she goes, half gets dumped into the trash.

She lets out a big huff an walks over to the sink, splashes some water on her face.

TONI

It’s fine. People move on... I can move on.

The phone lights up. Unknown Number. She sees it and flicks it off her screen.

INT. LIVING ROOM - NIGHT - 11:09 PM - CALL 2

CHIRON: “CALL 2”

Toni is sitting in her living room in pajamas, watching television. We see the lights play against her face as it plays some sort of horror movie.

Just as the tension on the movie ratchets up, we see the time on her phone click to 11:11.

The call happens. Toni ignores it.

INT. LIVING ROOM - NIGHT - 11:00 PM - CALL 3

CHIRON: “CALL 3”

Toni is on a yoga mat, stretching out. She’s on the phone with SAM.

SAM (O.S.)

-- and I’m trying to figure out how to handle this situation without offending anyone. But it’s just so complicated.

TONI

Ugh, that sucks. I mean maybe you just gotta deal directly with the problem?

SAM (O.S.)

Like you’re dealing with your breakup?

TONI

Sam. I’ll have you know I’m over it already. I started my yoga routine up again today.

SAM (O.S.)

Alright, so when are you coming out again?

The clock strikes 11:11. The call happens.

TONI

Ugh, I’m getting that weird call again.

Toni huffs.

SAM (O.S.)

What call?

TONI

I keep getting this phone call. Gotta be telemarketers.

SAM

Pick it up and tell em off.

TONI

Ugh. No thanks. I’m busy doing down dog over here.

SAM

Don’t you have a little pent up frustration? Let loose.

Toni considers while balancing, relents.

TONI

... Fine.

She huffs and sits down on the floor, looks down and takes the call. She holds the phone up to her ear.

A BONE BREAKING SHRIEK from the other end. Toni recoils and drops the phone. Rattled.

PHONE

OH GOD. Hello?

She stares down at it.

PHONE

Help! It.. It’s T--

Toni quickly hangs up the phone.

Beat. Toni looks around the room with unease.

INT. LIVING ROOM - NIGHT - 11:09 PM - CALL 4

CHIRON: “CALL 4”

Toni chops vegetables and puts them into plastic containers. Her phone sits on a stand across from her as she stares at the clock on the wall, which hits 11:11.

The phone lights up - UNKNOWN NUMBER. She nervously puts down the knife and picks up the phone. Takes the call.

The SHRIEK on the other end of the line makes her wince and pull the phone away from here.

TONI

He- Hello? Who is this.

PHONE

Help! There’s a- a- creature.

TONI

Who are you? Stop calling me.

PHONE

It’s me! You! You’ve been calling me for--

A SNARLING SLITHERING, A THWACK and A SCREAM. SILENCE.

TONI

Hello? Hello?!

She holds the phone and stares at it. Hangs up.

INT. LIVING ROOM - DAY - 9:00 AM - CALL 5

CHIRON: “CALL 5”

Toni paces back and forth in her pajamas. She’s on the phone.

TONI

What do you mean no record of an unknown call? That’s ridiculous -- I keep getting this call every night at like... 11! -- Cant you just block all unknown numbers? -- Fine! Just send me a new phone!

She hangs up in anger and the phone immediately rings again. She JUMPS!

It’s only Sam. She rolls her eyes and puts it to voicemail.

INT. LIVING ROOM - NIGHT - 11:00 PM - CALL 5

Toni’s fallen asleep on the couch. The phone RINGS and wakes her up with a start.

She answers the unknown call. The SCREAM.

TONI

This isn’t funny anymore. Who the hell is this?

PHONE

Oh God. Hello?

TONI

I said who is this?

PHONE

It’s Toni. It’s you.

Toni listens intently. It really does sound like herself. The voice on the other end gets very quiet.

PHONE

It’s here! I-- The eyes! They’re looking at me! Into my mind--

A SHIVERING SLURP and SNARL and THWACK. A SCREAM.

TONI

Hello?

You can hear squelching and dripping.

TONI

Hello? ... T-- Toni?

Silence. Toni stares down at the phone. Puts it down on the table next to it there’s a pad of paper. She shakily picks up a pen and marks a tally on it.

5 Hash Marks.

INT. LIVING ROOM - DAY - CALL 12

Toni paces around her living room. Waiting. She’s on her phone.

She’s got seven new voicemails. She plays the first from the ‘Unknown Number’

PHONE

(Computer voice)

Next Voicemail.

PHONE

-- Please! Please! Pick up! It’s--

SLITHER, SNARL, SQUELCH, DIAL TONE.

PHONE

(Computer voice)

Next voicemail.

PHONE

-- Looking at me. LOOKING AT ME--

THWACK, SQUELCH, --

PHONE

(Computer voice)

Next voicemail.

PHONE

--It’s inside my BRAIN and it HURTS--

THWACK, SQUELCH, --

SUDDENLY There’s a KNOCK at the door. The shadow of something at the door. Toni gasps.

The shadow shifts. Lurches! KNOCKS Again

TONI

Wh-- Who is it?

DELIVERY MAN (O.S.)

Package for you!

It’s the delivery man. Toni exhales.

TONI

Thanks! Just leave it please!

DELIVERY MAN (O.S.)

Have a good day!

The delivery man leaves. Toni waits a moment, then cracks the door to grab her package. She rips it open. It’s a new phone.

She takes her old phone and drops it into a full glass of water on the living room table.

INT. LIVING ROOM - NIGHT - 11:10PM - CALL 12

CHIRON: “CALL 12”

Toni is sitting on her couch, looking at her new phone in her hand. Staring at it. Waiting. She glances down at the clock on the table. It strikes 11:11.

The new phone in her hand buzzes. UNKNOWN NUMBER

TONI

No.. NO!

She dismisses the call on her new phone.

The old phone in the glass of water buzzes. UNKNOWN NUMBER

TONI

No.. NO. NO NONONONONONO! NO!

Her fingers trembling, she answers the call.

PHONE

Oh God. Hello?

TONI

Stop calling me. Please stop calling me. I don’t want this.

PHONE

It’s coming. It’s coming for me. The calls won’t stop until--

SLITHER. THWACK. GURGLE.

PHONE

--you--

Silence. Toni hangs up. She looks down at the table, where the clock and the notepad sit. She marks on the clock the first sharpie mark and puts another tally mark next to the paper.

12 hash marks.

INT. LIVING ROOM - NIGHT - 11:10PM - CALL 13

CHIRON: “CALL 13”

Toni is sitting on her couch, phone on the coffee table next to a clock. She’s holding a pad of paper she’s squinting at, tons of questions scrawled down on it.

She gets up and drags a lamp across the room to the coffee table. Adjusts herself.

The phone rings. She picks up without hesitation. The SCREAM nails her in the side of the face and she winces.

TONI

-- Hello

PHONE

Oh God. Hello?

TONI

Where are you?

PHONE

I’m here! In the house. In the living room.

Toni freezes. Looks around her at the living room.

PHONE

What do I do? It’s-- Oh god. The EYES. I can’t look away--

SLITHER. GURGLE. SCRAPE. SILENCE.

Toni looks down and around the room. What the fuck.

INT. LIVING ROOM - NIGHT - 11:10 PM - CALL 14

CHIRON: “CALL 14”

Toni is ready for the call. She has sharpies in her hand and notes on the notepad. The Call. The Pickup. The Scream.

PHONE

Oh god It’s--

TONI

--I’ve got you. We’re gonna get through this okay.

PHONE

Please!

TONI

Don’t look at it. You gotta RUN.

Over the phone we hear a SLURP and GURGLE and THWACK into wood and glass as it barely misses.

PHONE

Shit! It’s right behind -- OH god. The EYES.

Toni marks the crown of the clock in sharpie to mark the time.

PHONE

THE EYES are looking INSIDE ME.

SHUFFLING. SLURPING. THUNK. GURGLE. SILENCE.

Toni looks down and writes down the time.

11:11

She gets up and drags another lamp to the coffee table.

INT. LIVING ROOM - MONTAGE OF CALLS

CHIRON: “CALL 17”. We see Toni taking more and more notes over time.

CHIRON: “CALL 19”. She tapes off pathways in her house. Measuring steps.

CHIRON: “CALL 25”. She’s stepping through the house like a crime scene.

CHIRON: “CALL 47”. She looks more and more haggard and tired. This is taking a toll.

CHIRON: “CALL 55”. She sits at the coffee table which as become floor lamp central.

CHIRON: “CALL 86”. She’s rehearsing the steps inside her house. Ducking, looking through her drawers in her kitchen. Trying to formulate a perfect plan.

CHIRON: “CALL 102”. She’s looking through her kitchen, figuring out what she’s got in there.

CHIRON: “CALL 112”. Toni is practicing taking a canister of pepper spray out of her kitchen drawer and drawing it to spray it.

CHIRON: “CALL 133”. Toni has a blindfold on and she’s feeling her way through the kitchen, running her hands over things.

INT. LIVING ROOM - NIGHT - 11:11 PM - CALL 153

CHIRON: “CALL 153”.

We’re back to the opening scene. Toni has copious notes, diagrams, and outlines. The room around her has been turned into a battle zone, with the lamp illuminated central nervous system being the coffee table.

The Call. The Pickup. The Scream.

PHONE

Oh god! There’s a--

TONI

-- Stay Calm! I need you to listen to me carefully.

PHONE

It’s coming after me. There’s so many--

TONI

--Eyes. Don’t Look at them. Close your eyes!

PHONE

How do you?--

TONI

--Take a deep breath. Okay? Dodge to your right. Now.

Toni stands and begins to walk out foot patterns she’s laid out on the floor, much like dance instructions. She holds the pad in one hand and the clock in the other, shoulder pinching the phone.

TONI

And duck... NOW.

PHONE

Jesus Christ. I-- I’m so scared.

TONI

I know. I know. Kitchen. Third Drawer. Pull the cast iron out.

We follow Toni to her kitchen. On the walls are arrows, a big clock. It’s laid out like a Rube Goldberg crime scene.

Over the phone we hear the heavy scrape of a cast iron pan. Shuffling Horror.

TONI

Look left, use two hands to brace. Ready in three. Two. ONE. NOW!

A large metallic CLACK and SQUELCHING THUD as the pan deflects something.

TONI

First drawer on the left. The pepper spray.

A drawer slots open and we hear her rustle around.

TONI

It’s black and small like lipstick.

PHONE

Got it.

TONI

Pull the red tab with your right hand and aim it with the left. Like pulling back a pool cue. Hold your breath till I say so and Don’t LOOK!

PHONE

Okay.

TONI

SPRAY IT NOW!

A snap. A gasp. A hissing sound as spray hits the horror. An otherworldly scream and hiss as the monster is sprayed.

TONI

Head to the back door. Low. ON the floor. Be quiet. You can breathe again now.

PHONE

Oh thank you. Oh god.

TONI

Whisper.

PHONE

(whisper)

Ok

TONI

(whispering)

I need you to turn the knob without making it creak. Apply pressure into the door jamb while rotating the handle. Got it?

After a second we hear Squelching shuffling over the phone.

PHONE

I got it. I’m out! Oh thank you.

TONI

RUN! RUN!

Toni jumps up and down. Fist pumps.

PHONE

Thank you. Oh thank you. Oh god.

An otherworldly SNARL. SQUISH. THWACK. GURGLE. DIAL TONE.

TONI

Toni! Toni?

INT. LIVING ROOM - DAY - CALL 154

Toni lays on her couch. Surrounded by a rats nest of plans, takeout containers. Everything. She wakes up with a scream.

She looks around and takes stock of what her life has become, suddenly aware of all that has consumed her.

INT. KITCHEN - DAY - CALL 154

Toni sits on the floor next to her fridge. Opens the door up and takes out a half eaten burrito. Munches on it.

Her phone goes off. She leaps out of her skin.

It’s Sam again. She slowly tears up, tries to stop sob-gasping as she answers the call.

TONI

(defeated)

Hi Sam.

SAM (O.S.)

Toni! Hey, it’s been a while. How you been?

Toni struggles to respond.

SAM (O.S.)

Still feeling the breakup? Talk to me.

Toni can’t contain herself no matter how hard she tries. She’s tired and breaking.

TONI

I.. I’m not doing well Sam. I.. I’m stuck. I can’t seem to get out of the house. I’ve been trying for months. Just trying to help myself escape and I can’t. Every night it happens. It’s coming for me and I can’t escape. It’s killing me.

SAM (O.S.)

Uhhh. Should I come over?

Toni gasps, looks around her room.

TONI

No. I-- You can’t right now. I...

She sits for a moment.

SAM (O.S.)

Toni?

TONI

It’s like... There’s just something I’m running from.

SAM (O.S.)

Grief? Toni.. It’s not like that. It’s not something you can solve. Especially not by running from it. Trust me. I know it feels like if you just changed one thing, or another thing, or whatever.. you’d fix it. But it doesn’t work like that... It’s not something you can fix. Sometimes you just gotta cut through all those thoughts and face your pain.

Toni sees her knife block out of the corner of her eye.

TONI

I-- I think that’s it.

SAM (O.S.)

Toni? Are you sure--

She hangs up on him.

INT. LIVING ROOM - NIGHT - 11:10PM - CALL 154

CHIRON: “CALL 154”.

Toni sits on her couch. Takes a deep breath. The Call. The Pickup. The Scream.

PHONE

Oh God It’s--

TONI

Eyes. I know. Don’t look at it.

PHONE

What?

TONI

Close your eyes!

PHONE

How? I can’t see it. I should run.

Toni looks down at her notepad.

TONI

No. We’ve tried that 153 times. Each time you die. Every time.

PHONE

OH.. God. No..

TONI

So listen to me.

A slithering squelching sound. Toni looks down at the clock, instinctively shouts.

TONI

Duck! Now!

On the phone you hear a Tentacle WHOOSH.

TONI

You need to get into the kitchen. Grab the knife from the block.

PHONE

I-- I have to run.

TONI

No you don’t. You have to FIGHT.

PHONE

I can’t!

TONI

You can. You have to. Do it. NOW.

You hear her scrambling over the floors while the monster gurgles.

PHONE

How? I can’t see it.

TONI

Just listen to the sound of my voice okay? Get the knife.

Whimpering on the phone.

PHONE

Oh. Oh god.

TONI

The big one.

A ‘shwhing’ sound over the phone. We hear the rattling of the wood block.

PHONE

Oh-- Oh. Oh God. I can’t.

TONI

You have to do it. Dodge left and then swing at it with everything you got when I say.

PHONE

It’s-- i’ts--

TONI

Three.. Two.. One.. NOW!

On the phone you hear an otherworldly SHRIEK and the scuffling of feet. A SQUELCH and a SHANK as a knife sinks into obsidian flesh. The creature SCREAMS.

TONI

Now hit it with the cast iron. Third drawer.

The drawer slides out. We hear the heavy metal scrape of a pan.

PHONE

Where?

Toni looks around her kitchen’s taped up room.

TONI

Your left.

THWACK. Metal on eldritch bone. Another SHRIEK.

PHONE

Fuck. Fuck!

TONI

Fight Toni! Fight! Kill it!

THUNK. SLASH. SQUELCH. SCREAM!

SILENCE.

TONI

Toni! .. Toni are you there? What’s happening?

GURGLE.

TONI

-- Toni!

PHONE

(distant)

I’m.. I’m here. It’s dead. I looked.

Toni breaks into tears of joy.

TONI

We did it. We did it!

PHONE

Hey, Toni. Uh. I’m sorry. Just remember you’ll get yourself through this.

TONI

Huh?

The phone disconnects. Toni looks down. She hung up.

Toni looks around. Taking in the chaos of her life now. She walks back into her living room.

INT. LIVING ROOM - NIGHT - 11:11PM - CALL 154?

Toni slowly lowers herself down to her couch, putting her phone on the table in front of her. She exhales a long, ragged breath. Cradles her head in her hands and softly cries.

The phone in front of her suddenly lights up.

UNKNOWN CALLER.

She reaches for the phone. Picks it up, What?

TONI

Hello?

Her front door is darkened with a shivering shape--

PHONE

He- Hello? Who is this?

OF AN ELDRITCH HORROR.

CUT TO BLACK

Toni SCREAMS!